Besides being the title of the "movie" being filmed in the movie, "Argo" is from Greek mythology. It was the ship Jason and the Argonauts sailed in to retrieve the Golden Fleece.In order to make the movie feel like the 1970s, Ben Affleck shot it on regular film, cut the frames in half, and blew those images up 200% to increase their graininess. He also copied camera movements and bustling office scenes from All the President's Men for sequences depicting CIA headquarters; for L.A. exteriors, he borrowed from The Killing of a Chinese Bookie.
While Chambers, Mendez, and Siegel are trying to figure out how to make their fake movie project look plausible, Siegel recalls that he made a movie once with Rock Hudson, and from that draws the conclusion that if you want people to believe a lie, you should have the media disseminate it for you. This seeming non sequitur is a reference to the fact that Hudson, one of the biggest Hollywood stars and sex symbols of the 1950s, was secretly gay, and his agent, Henry Wilson, actively fed misinformation about Hudson's "girlfriends" (really studio-arranged dates for publicity only) to the mainstream media. When the gossip tabloid "Confidential" threatened to expose Hudson's homosexuality, Wilson instead fed them then-scandalous information about two of the less-famous stars on his roster (Rory Calhoun and Tab Hunter) and olutionary guards in the movie are accurately selected fixed-stock G3-A4, a variant of German H-K G3 rifles manufactured locally in Iran by the country's Defense Industries Organization. The movie producers obviously resisted the temptation to use the easy-to-find AK-47 rifles, which were indeed used by the Iran's revolutionary guards, but only a couple of years after the hostage crisis, during the war with Iraq.
In a curious coincidence, the Swissair McDonnell-Douglas plane that flew the six "houseguests" from Tehran to Zurich was code-named "Aargau" (after the canton/district in Switzerland).Alan Arkin has admitted that, although his Lester Siegel is a composite character, he essentially based his character on the late Canadian-born movie mogul Jack L. Warner who died shortly before the actual hostage crisis.
The main person who pushed the Canadian caper story to be published was former CIA director George Tenet (1997-2004). While the story was never published due to bureaucracy and the yet to be concluded Iran hostage crisis, it was only in 1997 when Tenet assumed directorship of the agency and in conjunction with the agency's 50th anniversary that he persuaded Tony Mendez to write his account and memoir of the caper. During one of the many promotions for this film Alan Arkin didn't realize that Bryan Cranston was in Little Miss Sunshine, surprisingly quoting "Get out of here. I had no idea!". This was due to the fact that both actors didn't share scenes together (just like in Argo).
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